every day
it’s all about
making something from nothing
✓
See what’s been accomplished in the entries
of the Weekly Photo Challenge: Achievement.
See what’s been accomplished in the entries
of the Weekly Photo Challenge: Achievement.
Look a little deeper into the entries
in the Weekly Photo Challenge: In the Background.
∞
Unseasonably warm, it was more of a grey day than most but the weather warns that this will be the last of it for awhile. Light rain still falls and with each drop we wonder why it feels more like March than it should in the short weeks leading up to the winter holiday – where is the first snow, the one that makes us run to the window and just stop, in silence, to look out. City or country, it is always magical.
In another lifetime and at about this same time of year, it was a tradition to look for a Christmas tree in the bush before the snow became too deep, mark it and then return with a sharp axe once the house was ready to receive it. On one such mission accomplished, the walk back was a quiet one when the scene above unfolded before us. There was no choice but to just stop – and watch as the light along the horizon slowly changed and the clouds rolled through blue, mauve and apricot. The moment marked a lifelong predilection for big sky landscapes, a quality of light and softness that makes one sigh or draw breath and hold it in as if to capture a part of this beauty for ourselves.
On New Year’s Eve decades later, a hushed midnight stroll down the main street of a small town found us awestruck once again. There in the window of a gallery was our very private memory, every detail captured as if the artist had been there with us. Morning couldn’t come soon enough.
This is what art is all about – having it grab your heart and wring from it something so deep that there are no words.
Here are a few 21st century landscape painters whose work speaks for itself:
The first snows are almost upon us. The light is changing, becoming more muted, much like the sky filtering through in this late 19th century watercolour. There is nothing like a good mystery to keep indoor life interesting and the search for information about the artist who captured the very breath of winter in these few sure brushstrokes proved riveting.
We have become accustomed to being able to find what we want with a tap on the keyboard – names, biographies, archives – and when all else fails we resort to Wikipedia, but sometimes the trail has been cold for so long that little remains. Such is the case with Japanese Pre-War painter Ginnosuke Yokouchi (1870 -1942) whose slate, apart from images of some recent reprints and works in a private collection, seems to have been wiped clean.
Oddly, the scene (above) of the little group on their way through the snow to the local temple made one think of Pissarro – it is as if the two painters were inspired by the same soft light, the crispness of the winter air and the serenity of daily village life unfolding around them, even though they were worlds and years apart.
Was Yokouchi a part of the group of Japanese painters during the Taishō period so greatly influenced by European Impressionist works? Perhaps, but for lack of a backstory, we may never know…
More to look at:
Impressionism
Ginnosuke Yokouchi at the Hanga Gallery
Japanese Watercolours
Camille Pissarro
Across the Bored had the privilege of visiting the Montreal Museum of Fine Arts to see the French Impressionist collection currently on tour courtesy of the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. Consisting of four relatively small spaces whose walls were hung with the cream of the Impressionist crop, this exhibition was filled to capacity at the time of our visit. Nonetheless, the works on display are truly jaw-dropping.
Now, here comes the but – we were acting as field-trip chaperone for a group of grade 9 students from a friend’s art class…
Although well-behaved, polite, reasonably responsive (for 14 year-olds) and happy to have the afternoon off, only about 10% of them had any idea of what they were about to see. This wasn’t for lack of preparation on their teacher’s part but rather that they just didn’t care… Luckily, we had a lovely tour guide who not only knew fascinating details about the paintings presented but also had the magical gift of keeping the group relatively engaged for what could have been a very long hour otherwise. The only time she cringed was when one student kept repeating “Is it real?”
The temptation to blurt out “NO, it’s a digital reproduction – it’s a knock-off made in CHINA and you can get one in the gift shop” was great.
Afterwards, as they all sat on the stairs of the museum foyer, we made the mistake of asking them if they had liked their visit. Blank faces. Really? Well, what type of art did they like? “Music art”, “Dance art”… what? Do you mean like Warhol, Richard Hamilton or Banksy? Blank faces.
Here is what they did like…
Didn’t get a chance to look at the date on this installation but it sure has echoes of Brazilian design team, Fernando and Humberto Campana’s 2002 Banquete chair…
Oh well, looks like we will be going back to the Museum. Solo this time.
More to look at:
Impressionism
Impressionist Masterpieces from the Clark Collection
Giovanni Boldini
Claude Monet
Edgar Degas
Statement Furniture: Fernando & Humberto Campana – RETROSPECT